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The film is also blessed with a number of good supporting acts. To be fair to her, she does well of whatever opportunity she gets. It is surprising to see Rajeshwari Kharat playing just a cameo and getting hardly any chance to speak. Manjule himself plays the role of Charkhya perfectly. Kishor kdam & Chaya kadam – Still From Fandry Marathi movie The reliable Kishore Kadam scores brownie points this time too with a thoroughly dedicated act. At times he had the difficult task of portraying emotions through expressions but he does that exceedingly well. Somnath Avghade deserves immense praise for his excellent portrayal of Jabya in his first film. Manjule has churned out brilliant performances from his cast although most of them are non-actors. There are no songs but the one recited by the character of Piraji a couple of times is super pleasing. Using loud drum sounds during thrilling moments works very well. Aloknanda Dasgupta’s background score brilliantly complements various situations. Vikram Amlady’s beautifully creative camerawork makes the film what it is. And needless to say, the film won’t appeal to those who prefer conventional entertainment. The only negative aspect is that such an arty film should have been told in a lesser duration. It also brings back memories of Shyam Benagal’s Ankur. Along with the fixing of Jabya’s sister’s wedding, jatra scene and the long climax, the very last second deserves special mention for its symbolism and the thrilling 3D-like effect it generates (watch the film to know more about this). This ensures you are glued to the screen despite the film not having a conventional storyline. It is remarkable how in his very first film Manjule has presented the issue of casteism and exploitation of the supposed lower castes by simply using the visual medium. The protagonist’s restrained yet strong desires mostly portrayed through his innocent conversations with his best friend Piraji (Suraj Pawar) instantly make you sympathetic towards him.
Such a description, however, also means that the film suits more for the lovers of art-house or festival cinema.Īs expected from a contemporary village flick, Fandry slowly but steadily gets the audience involved into the world of Jabya through a series of appealing moments born out of his daily routine. But instead of being a direct attack on casteism, it follows an indirect hard-hitting route full of artistic brilliance.
Although that is very much its subject, it is far different from these two films since it mainly deals with the issue of caste discrimination. How will Jabya overpower this social barrier? Review :įrom the promotional material, Nagraj Manjule’s directorial debut Fandry appeared similar to Shala and Timepass due to the adolescent love angle. Hence, his family is forced to carry out tasks that are considered dirty, like killing wild pigs aka Fandry. But the bigger hurdle for Jabya is that Shalu is from a well-to-do higher caste while he is from the lowest one.
Jabya secretly loves Shalu (Rajshree Kharat) but she is hardly aware about his existence.